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 Location:  Home » VHS » Classics » Throne of Blood  
Throne of Blood
Throne of Blood

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Director: Akira Kurosawa
Actors: Toshiro Mifune, Isuzu Yamada, Minoru Chiaki, Takashi Shimura, Akira Kubo
Studio: Morningstar Ent.
Category: Video

List Price: CDN$ 39.95
Buy Used: CDN$ 10.00
You Save: CDN$ 29.95 (75%)



New (3) Used (2) from CDN$ 10.00

Avg. Customer Rating: 4.0 out of 5 stars 83 reviews
Sales Rank: 2552

Format: Ntsc, Subtitled
Languages: English (Subtitled), Japanese (Original Language)
Rating: Unrated
Media: VHS Tape
Shipping Weight (lbs): 0.4
Dimensions (in): 7.3 x 4.2 x 1.1

ISBN: 6302891272
UPC: 037429068038
EAN: 9786302891270
ASIN: 6302891272

Theatrical Release Date: November 22, 1961
Release Date: March 23, 1999
Availability: Usually ships within 1 - 2 business days

Similar Items:

  • Kagemusha (Criterion Collection)
  • Hidden Fortress
  • Ran - Criterion Collection (1985)
  • Macbeth (Widescreen)
  • Rashomon (Criterion Collection)

Editorial Reviews:

From Amazon.co.uk
A champion of illumination and experimental shading, Kurosawa brings his unerring eye for indelible images to Shakespeare in this 1957 adaptation of Macbeth. By changing the locale from Birnam Wood to 16th-century Japan, Kurosawa makes an oddball argument for the trans-historicity of Shakespeare's narrative; and indeed, stripped to the bare mechanics of the plot, the tale of cut-throat ambition rewarded (and thwarted) feels infinitely adaptable. What's lost in the translation, of course, is the force and beauty of the language--much of the script of Throne of Blood is maddeningly repetitive or superfluous--but striking visual images (including the surreal Cobweb Forest and some extremely artful gore) replace the sublime poetry. Toshiro Mifune is theatrically intense as Washizu, the samurai fated to betray his friend and master in exchange for the prestige of nobility; he portrays the ill-fated warrior with a passion bordering on violence, and a barely concealed conviviality. Somewhat less successful is Isuzu Yamada as Washizu's scheming wife; her poise and creepy impassivity, chilling at first, soon grows tedious. Kurosawa himself is the star of the show, though, and his masterful use of black-and-white contrast--not to mention his steady, dramatic hand with a battle scene--keeps the proceedings thrilling. A must-see for fans of Japanese cinema, as well as all you devotees of samurai weapons and armour. --Miles Bethany

Amazon.com Essential Video
A champion of illumination and experimental shading, Kurosawa brings his unerring eye for indelible images to Shakespeare in this 1957 adaptation of Macbeth. By changing the locale from Birnam Wood to 16th-century Japan, Kurosawa makes an oddball argument for the trans-historicity of Shakespeare's narrative; and indeed, stripped to the bare mechanics of the plot, the tale of cutthroat ambition rewarded (and thwarted) feels infinitely adaptable. What's lost in the translation, of course, is the force and beauty of the language--much of the script of Throne of Blood is maddeningly repetitive or superfluous--but striking visual images (including the surreal Cobweb Forest and some extremely artful gore) replace the sublime poetry. Toshiro Mifune is theatrically intense as Washizu, the samurai fated to betray his friend and master in exchange for the prestige of nobility; he portrays the ill-fated warrior with a passion bordering on violence, and a barely concealed conviviality. Somewhat less successful is Isuzu Yamada as Washizu's scheming wife; her poise and creepy impassivity, chilling at first, soon grows tedious. Kurosawa himself is the star of the show, though, and his masterful use of black-and-white contrast-- not to mention his steady, dramatic hand with a battle scene--keeps the proceedings thrilling. A must-see for fans of Japanese cinema, as well as all you devotees of samurai weapons and armor. --Miles Bethany


Customer Reviews:   Read 78 more reviews...

5 out of 5 stars Awesome   December 10, 2005
 1 out of 1 found this review helpful

The movie is amazing, and contains many of Kurosawa's greatest moments. As a Japanese adaptation of Shakespeare it's fascinating.

The DVD quality is beautiful. The only disappointment is the commentary, which is very dumbed down and delivered with an annoyingly bouncy 'hey kids, foreign movies aren't all boring you know' tone.


5 out of 5 stars I just read Macbeth in British Lit class   April 29, 2004
 1 out of 1 found this review helpful

After reading Macbeth in Lit class, I wanted to watch a movie adaptation and I happened to run into this one, I had heard on amazon.com that this was a Japanese adaptation of Macbeth and I picked it up, I really enjoyed it, much more than I expected to. Akira Kurosawa did a great job in this, it is old and the technology is limited but I loved it, I showed it to my friends who had not read the book but they loved the film as well, especially the ending, if you have seen it, you'll know what I mean, I do not wish to ruin it for anyone, anyway, the DVD price is quite high but if you are thinking of buying it, I suggest trying to rent it somewhere or obtain it temporarily from somewhere or someone and then decide to buy it or not, good movie, enjoy.


5 out of 5 stars Akira Kurosawa just knew how to make great movies.....   April 27, 2004
 0 out of 1 found this review helpful

Akira Kurosawa's Throne Of Blood may very well be his best, ranking up there with Seven Samurai, Ran, Yojimbo, Rashomon, and The Hidden Fortess.
A telling of Macbeth the film takes place in the time of the samurai. Tashiro Mifune plays Washizu a worrior who betrays his master and friend on his climb to the ultimite of power.
After encountering a witch in the woods who tells Washizu that he will take the place of his master Washizu, with the not so suddle proding of his wicked wife, dose everything in his power to gain, the lose control, of everything.
Kurosawa had done Shakespear before, quite possably the best telling of King Lear was Ran, but this time he strips everything down to the bear bone and unlike some films from Japan, the acting, manic and frantic, seeems only to enhance the film. Mifune is fantastic as Washizu, the ill fated worrior.
The movie grabs you right from the beggining and never lets go. It's a very violent film for it's time but if you ever want to see a master at his craft look no further than Akira Kurosawa'a Throne Of Blood.



3 out of 5 stars Macbeth around the globe   April 22, 2004
 1 out of 2 found this review helpful

Throne of Blood is an Akira Kurosawa's rendition Shakespeare's Macbeth. The story pretty much is the same with a few minor character changes, one sprit instead of three witches for example, and some obviously included contextual changes, set in pre-modern Samurai Japan. I understand that it has historical relevance and all, but really the movie itself is nothing too special. It is just an ok movie.
Now that I have said that, I feel I need to warn the viewers out there who do not usually watch foreign films. These people must be wary of, if it bothers them, the fact that the film in black and white. I understand that some people cannot sit through black and white films. There is also lack of ongoing action, typical Shakespeare, that we are used to, and that puts some people to sleep, so be warned about that too. I feel that you should watch it for your own cultural and mental advancement, but unless you like the genres of Japanese/Samurai films or Shakespeare adaptations then you probably will not like it. In addition, it is in Japanese, so if you do not like subtitles then you should be warned once again. I recommend you watch it, but at the same time I feel that once is enough.



2 out of 5 stars Great Looking, but Witless Version of Macbeth   April 17, 2004
 1 out of 2 found this review helpful

I love Kurosawa, but this stripped down version of Macbeth is no Ran, his tribute to King Lear, which even my 11 year old loved. The dialogue is tedious, the wife is boring and not the catalyst she should be psychologically, and all but disappears once she takes matters into her own hands-- until the out damned spot scene. Too many scenes of riders approaching the castle in real time, etc. Some great scenes, but lo-oo-nnngg dry stretches in between. And where is the stand in for McDuff? That's the dramatic tension along with the wife. Both are inexplicably blown, here.

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