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 Location:  Home » Books » General » The Suspicions of Mr. Whicher: A Shocking Murder and the Undoing of a Great Victorian Detective  
The Suspicions of Mr. Whicher: A Shocking Murder and the Undoing of a Great Victorian Detective
The Suspicions of Mr. Whicher: A Shocking Murder and the Undoing of a Great Victorian Detective

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Author: Kate Summerscale
Publisher: Walker & Company
Category: Book

List Price: $24.95
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Avg. Customer Rating: 4.0 out of 5 stars 51 reviews
Sales Rank: 5230

Media: Hardcover
Number Of Items: 1
Pages: 384
Shipping Weight (lbs): 1.3
Dimensions (in): 8.4 x 5.9 x 1.5

ISBN: 0802715354
Dewey Decimal Number: 364.1523094231
EAN: 9780802715357
ASIN: 0802715354

Publication Date: April 15, 2008
Availability: Usually ships in 1-2 business days
Condition: Shows some signs of wear, and may have some markings on the inside. 100% Money Back Guarantee. Shipped to over one million happy customers. Your purchase benefits world literacy!

Customer Reviews:
Showing reviews 6-10 of 51
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1 out of 5 stars Are we reading the same book?   September 29, 2008
I only made it through the first half of this yawner. Given the subject matter and the author's unquestionable dedication to her research, there is a good deal of potential in this book. Unfortunately, author's proclivity for extraneous details and commentary makes the book darn near inpenetrable.

After slogging through many random and unrelated "nuggets", I finally put down the book in frustration after growing tired of the author's habit of inserting quotes from famous ficticious detectives as if they were real authorities on the subject, and providing these "insights" without much in the way of comment to make a point.

As a fan of books about similar subjects and the same era (The Alienist, The Angel of Darkness, Devil in the White City, Thunderstruck) I was hoping this would be another good read. As other reviewers have said, it is a good story let down by poor editing. I would recommend Caleb Carr or Erik Larson as better alternatives to Ms. Summerscale.



5 out of 5 stars A Fabulous Read!   September 26, 2008
This book reads with the pace and thrill of a murder mystery, but every detail is real. A little boy, nearly four, had his throat slit and his body was tossed into the cistern of an outhouse on the grounds of his upscale family's home in 1860. There are 12 people in the country manor at the time, some family members and others servants. Other hired hands live on the grounds, and everyone falls under suspicion eventually. To help you follow the clues, Summerscale gives a cast of characters, photos, a family tree, maps, diagrams, engravings, courtroom sketches, and so on. Enter Jack Whicher, one of Scotland Yard's first eight detectives. After about five years as a constable in uniform on the beat, he now donned plain clothes and sometimes worked undercover. He had a great intuition about criminals and a marvelously meticulous method of investigating a crime, but such a detective was suspect in the England of his day. The upper classes considered him little more than the "hired help," quite beneath their station, and he was to be resented for the fact that his position allowed him to part the veil on personal affairs in that hush-hush era--even though they might greatly need his help, as in this case.

Jack was a real Sherlock Holmes, 27 years before the latter became known. But a few detective stories had been published by the time of the Road House murder, and the public expected a quick and brilliant discovery of the culprit. Yet crime scene investigation was very primitive in those days, and Whicher was not called into the case until two weeks after the murder. He did a masterful job of his investigation, developing a reasonable theory of the case, but he could not collect enough hard evidence to advance toward a conviction. Perhaps the author's best feat in writing this book was that she was able to move beyond the whodunit and its characters, although both are skillfully portrayed, to give us a detailed feeling of that era. Who knew, for example, that an accused person was not allowed to speak at his or her own trial? Or that questions of modesty and propriety would muffle courtroom questioning to the point of making it useless? Summerscale skillfully blends such shocking revelations with quotidian detail, so that we get the full flavor of the times.

When the case went cold, Whicher retreated to London in disgrace. Because the Kent murder had such notoriety, his supposed "failure" went widely published in the newspapers. Less than four years after his debacle, he retired from the police force but lived on to see the murderer (in a surprise move) confess to the crime. Even after that denouement, Summerscale carries her book on further, letting us know what happened to all the major players in the end. This is a full meal, from start to finish. Her writing and research are superb, and the story is compelling. Who could ask for anything more?




4 out of 5 stars Well Presented and Paced   September 24, 2008
 1 out of 1 found this review helpful

Like the mystery surrounding the kidnapping of the Lindbergh baby or the death of Jon Benet Ramsey, the only way the guilty will every be known is if the confess. This murder in 1860 was like a locked room mystery. There was no way that an intruder could have gotten in without the help of some one inside. Even then it would have had to have been some one who knew the habits of the family and the layout of the building.

The murder of a four year old boy by one of his siblings or half-siblings or parent or servant was the only choice. Who among the fourteen people in the house that night could have done the deed? What makes this story so intriguing is that there are children of two marriages living in one house. The second wife was the governess for the children of the first wife. Was there duplicity between the siblings to one of the second wife's child?

With the use of information from both Scotland Yard, newspaper stories written at the time just after the murder, and books by some of those involved, there are a plethora of theories as to the perpertrator(s). That there was a confession, trial and convictions doesn't end the story. Lots of fun for the closet detective.

Zeb Kantrowitz



1 out of 5 stars Painful - A disorganized memory dump   September 23, 2008
 1 out of 1 found this review helpful

An enthusiastic newspaper review lead me to try to read this book. I expected a history with multiple threads: Victorian family life, the beginning of detection, the beginning of the detective novel, ...

As other reviews here have stated, the book hammers you with a mass of details, many of them irrelevant or tangential. The writing is very poor for this type of book - It is a dry "just the facts" rendering, what you might expect from a bureaucratic report meant to be filed away unread. An analogy is that the chapters are a collection of research notes that the author intended to come back to to write the book. Even at the level of individual paragraphs, the writing often does not flow smoothly.

Especially frustrating was jarring jumping between threads of the story: I would struggle through the blizzard of facts to construct a mental image only to have to start over on a different thread. I have read multiple other histories that managed to handle similar multi-threaded stories by disciplined presentation of the facts and connections between the threads.

After a couple of exhausting chapters, I jumped forward several times, found the same deadly dull writing and gave up.



1 out of 5 stars I Wanted To Enjoy Reading This Book   September 10, 2008
 1 out of 3 found this review helpful

I must wholeheartedly agree with the previous, one-star reviews of this book. I borrowed it from the library because of the basically good reviews this book received. Within 5 pages, I was overwhelmed with detail and facts: how far a door was left open; who visited; what they were paid; places and times of train changes for the detective's commute; details of seemingly every arrest he made. The detail and number of characters was confusing and maddening. I skipped through the text to see if the storytelling improved; it didn't. It was as dull as dishwater for me. I could not finish the book because I just didn't care about the dry, flat characters. This is a case of where more is less.

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